“D.E.I” by SdotK is a searing anthem of resistance, reclaiming space for Black identity, power, and presence in a world that constantly tries to interrupt them. With fearless lyricism and faith-driven fire, SdotK speaks for the unheard — turning every bar into a battle cry for truth, justice, and unshakable pride.
About SdotK: SdotK is a genre-defying hip-hop artist using sound as a weapon for truth. Blending bold lyricism, faith-rooted conviction, and a fearless pro‑Black message, his music is not just entertainment — it’s education and empowerment.
Following the impact of his first EP Stereo Type, SdotK returns with Stereo Type Vol. 2 — a raw, unapologetic reflection of America’s ongoing struggle with identity, injustice, and systems that silence us. Fueled by the nation’s cries, this project arrives July 4 — symbolically reclaiming independence on his own terms.
Whether speaking on DEI, police violence, or generational resilience, SdotK delivers bars with purpose. His movement is a mission.
“Beer” by Jimi Haywood is a rowdy, feel-good rock-country song that raises a glass to life’s simple pleasures and the unbreakable bond between a man and his brew. With gritty vocals and a soul-soaked groove, Haywood captures the spirit of barroom camaraderie and beer-fueled freedom.
Born in Wisconsin, Jimi Haywood is the soul of rock/country with a shot of beer-fueled fun—touring the world, telling stories through music, and turning everyday moments into something worth singing about.
“Road to the Riches” by Maverik The Outlaw is a gritty and melodic track that captures the blood, sweat, and soul behind chasing a dream. With heartfelt hooks and unfiltered verses, Maverik paints a vivid picture of the uphill battle from small-town struggle to independent grind. Pulled from his new album Roots, the track stands as a raw declaration of resilience, passion, and outlaw ambition.
Maverik The Outlaw was raised in the unincorporated community of Longtown, Oklahoma — a rugged spot nestled on the edge of Lake Eufaula. His father, Henry, worked his fingers to the bone to keep a roof over Maverik and his little sister’s heads. Growing up, Maverik roamed the backroads of Piney Creek, lived the lake life, and danced on the edge of the law.
Today, he calls Central Texas home, where he pours his energy into work, music, and living life on his own terms.
Maverik The Outlaw blends raw emotion, sharp lyricism, and untamed rebel energy into a genre-defying sound. This isn’t just music — it’s a movement. A voice for the misfits, the fighters, and the free spirits.
Welcome to the outlaw state of mind.
Stream Maverik The Outlaw – “Road To The Riches” on YouTube: youtu.be/t0-SwfydtgU
“Vibes” by Cairo Snow FPTO is an upbeat Hip-Pop track blending catchy melodies with head-nodding rhythms, perfect for summer playlists. The song captures a carefree, feel-good energy that gets listeners moving while staying true to authentic storytelling.”
Cairo Snow is a 12-year-old hip-hop artist and producer from Brampton, Ontario — the same city that raised Tory Lanez, Alessia Cara, and NBA champ Tristan Thompson. Known for his clever, clean bars and infectious hooks, Cairo brings a fresh, youthful energy to the genre. Proudly repping Brampton, he’s ready to take his sound from Canada to college radio across the States.
“Long Overdue” by Pretty Little Saturday is a shimmering indie pop debut that weaves lush electronic textures with heartfelt melodies and vibrant, emotional soundscapes. The track marks a bold step forward for Asheville-based artist Kristi Knupp, capturing the moment she transitions from music photographer to storyteller. With cinematic layers and intimate vocals, it’s a deeply personal anthem about finding your voice.
“Forever My Lady” by Spencer Alston showcases the rising North Carolina singer’s smooth, melodic R&B vocals that are turning heads across the music industry in 2025. With heartfelt delivery and timeless vibes, Spencer cements his place as one to watch this year.
Rowan Leader’s rendition of “My Funny Valentine” is a heartfelt tribute to The Talented Mr. Ripley, blending classic jazz elegance with raw, youthful emotion. As his first-ever vocal recording, the track captures both vulnerability and reverence, reimagining a timeless standard through a modern, indie lens. At just 19 and studying business entrepreneurship, Rowan explores music as a creative escape—bringing passion, curiosity, and cinematic flair to this soulful debut.
“What’s the Damage” by Ale San blends deep, melancholic tones with an undercurrent of energetic beats, creating a powerful yet introspective vibe. It’s a track that moves both the heart and the dancefloor.
Ale San is an innovative electronic music producer based in Barcelona, blending cutting-edge sounds with immersive rhythms. Known for a unique style that pushes boundaries, Ale San brings a fresh energy to the electronic music scene, captivating audiences worldwide.
“Why Weren’t You There” by Davince Black is a haunting spoken-word piece that weaves gothic melancholy with ambient modern textures. Driven by themes of abandonment and emotional silence, the track captures the ache of unspoken words and the shadows they leave behind. It’s a raw and intimate offering that transforms pain into poetry and atmosphere into catharsis.
Davince Black is the alter ego of Dutch tattoo artist and poet George Kooijman. Known for his dark visual work under Madblack Tattoo, he now channels that same energy into music. His songs fuse spoken word, gothic storytelling and raw emotion — turning scars into verses and silence into rhythm.
“Kune” is a symphonic journey that bridges cultures through music, blending orchestral power with the intimacy of human voices from across the globe. With soaring melodies, multilingual choral textures, and themes of unity and peace, the piece resonates as both a spiritual and cultural statement.
Arnaud Fillion’s “Kune” (meaning “Together” in Esperanto) is a visionary symphonic work created for peace and cultural unification. Composed for symphony orchestra, multi-language choir, and soloists, “Kune” consists of 11 movements that weave together around 50 different languages to convey universal themes such as fraternity, empathy, respect beyond differences, and ecological awareness. This “symphony for peace” is more than just a musical piece—it is a collaborative human project, having involved nearly one hundred volunteers, translators, and cultural intermediaries in the writing process. Each text was carefully recorded as a phonetic reference to ensure authenticity and accessibility for the performers. The album was recorded in October 2023 in Lviv, Ukraine, featuring the Lviv National Philharmonic Symphony Orchestra and the “Gloria” Chamber Choir under the direction of Serhiy Khorovets. Its concert premiere on October 7, 2023, was broadcast live and remains available for viewing here. For those interested in exploring the full depth of the project, including scores, lyrics, and phonetic audio guides for each language, a dedicated website offers extensive resources: arfillion.wixsite.com/kune.
About Arnaud Fillion: Born in Annecy (France) in 1979, Arnaud Fillion is leading a double career as both a guitarist and composer, having recorded 25 albums under the name of “Arnito”. His multiple influences and musical encounters took him to explore a wide range of styles, from classical to contemporary, passing through jazz, improvisation and world music. After a diploma obtained with unanimous special mention and congratulations of the jury at Music Academy International (Nancy) in 2000 and studies at the jazz departments of the conservatories of Annecy and Chambéry, he dedicated himself to the development of his own music, travelling to different countries to compose and open his musical language to music from oral transmission. His catalog is now counting more than 250 compositions, for different formations. He’s regularly performing as a guitar soloist and with various bands and ensembles, in a large variety of music styles. He was granted in 2018 by the Helen Wurlitzer Foundation (Taos, New Mexico, USA) for a composer’s residency program, where he composed “Kune”. The album won a Silver Medal for Outstanding Achievement in the contemporary classical category at the Global music awards 2024. Among his symphonic work, his guitar concerto reached the final rank at I-Melody 2017 International Composition Competition (USA), and the first French place and finalist with “special mention” at the Maurice Ravel Competition (Italy) the same year. It is also included in the jury’s recommended works list of the Klami 2019 competition (Finland). The same year, it has been recorded at the Hungarian Radio by Johan Smith (guitar player, winner of the prestigious GFA) with the Budapest Symphony Orchestra, conducted by Gergely Vajda. The album also features another of his compositions “Un ange parmi les soupirs” for violin and orchestra presented at the Queen Elisabeth competition (2011), peformed by Alain Arias (violin) and conducted by László Kovács.
Stream Arnaud Fillion – “Kune” (performed by the Lviv National Philharmonic Symphony Orchestra, Lviv Chamber choir Gloria, Serhiy Khorovets):
